It
has become the norm to believe that the building work to construction
the palace began the day after a meeting between magistrates
and representatives of the townspeople resident in the Three
Cities, held in July 1297 with the aim of agreeing as to the
working methods and times .
Believing that the owners of the houses located along the
city streets and the "Via Francigena", which still
flank the Campo today, were interested in carrying out work
on their properties to adapt them to suit the renewed urban
quality of the site, the government immediately issued very
strict building regulations, which included the obligation
to characterize the other houses with similar features to
those chosen for Palazzo Pubblico, so that no private home
dared compete in terms of grandness,elegance and originality,with
the ambitious intentions of the "Nine".
We don't know the name of the architect who supervised the
works.
Documents list a series of little known names, the most frequently
mentioned however is that of a certain Maestro Giovanni, qualified
as an "illuminator and calligrapher".
This sort of paradox, which is anything but, should be highlighted:in
fact, Siena was well-known, and not just in this period, for
great interpretes who willing "lowered", themselves
to performing small, almost unnoticeable,tasks,always applying
themselves wholeheartedly to the job in hand, just as there
was no lack of officially modest people ready to carry out
exceptionally important duties, only to retreat into the folds
of peaceful anonymity.
In 1304 the part facing the Campo was probably already completed,
resulting in the decision to create an "extension"
towards the south consisting in the fudamental section that
houses the Loggia of the Nine, the Council Room( or the Map
of the World ) and the Offices of the Biccherna.
Around 1308, the Palazzo was practically finished as we see
it today, apart from the left wing, that of the Podestà,
where the site of Torre del Mangia was to remain open for
another forty years.
The Tower'smain bell chimed for the first time during the
terrible epidemic which was to have far more devastating effects
on Siena that any other town, decimating the population and
freezing the urban nucleus in a very spicial dimension which,
fortunately, has lasted almost perfectly intact until the
present day.
Palazzo Pubblico has undergone very little change compared
with its original configuration.The most important changes
being those planned by Carlo Fontana at the end of the 1600's
.
The Architect, who worked with Alessandro VII Chigi, created
the upper levels of the two lateral wings with the construction
of large rooms at the sides of the hall of the People's Captain,
as well as a grand staircase via which to reach them also
improving the interior connections which , until that time
, had been very precarious, being entrusted to wooden laddres
and balconies which divided the Palazzo into sectors destined
to different functions and guests.
At the end of the eighteen hundreds the Palazzo's facade underwent
extensive restoration work to restore its medieval image.
The restoration was also motivated by the opening of the monumental
halls for vistis by tourists were finally able to enjoy the
frescoed spaces freed, at long last, from their use as offices
which had lasted centuries
The Palazzo with the construction of the Museo Civico, during
the 1930's, achieved a condition which remains today.
|
Torre
del Mangia
From
1st November to 15th March
every day 10:00 am - 16:00
From
16th march to 31st October
every day 10:00 am - 19:00
Tickets
Euro 5,50 without reservation - euro 5,00 with Free reservation
(inferior boys to 11 years, companions studenteschi groups,
companions groups every 1 15)
|
Museo
Civico
From
1st November to 15th March
every day 10:00 am - 18:30
From
16th march to 31st October
every day 10:00 am - 19:00
Tickets
Entire euro 6,50 without reservation - euro 6,00 with Reduced
reservation (students ultra 6ënni, invalids and soldiers)
euro 4,00 without reservation - euro 3,50 with Free reservation
(inferior boys to 11 years, companions studenteschi groups,
companions groups every 1 15)
|